Here’s one more of the Bulldog Drummond series. I don’t know when the supply is going to run out, but when it does I’m proposing a Bulldog Drummond binging party. Stay alert.
This came out in 1939, so I missed it by a year. Even a couple of years later it would have been wasted on my, the plot being too convoluted. Then, maybe not. It’s Bulldog Drummond’s Bride, featuring John Howard as Captain Hugh Chesterton ‘Bulldog’ Drummond and that good looking Heather Angel as Phyllis Clavering, Bulldog Drummond’s bride.
Wikipedia, from which I am drawing technical details, lists Paramount Pictures as the production company, but opening credits show, first, The Criterion Collection, followed by a splash screen proclaiming “A Janus Films Presentation,” then (from the film itself) “Congress Films, Inc. Presents,” and finally the title credits and the movie. I watched this on Amazon Prime Video, but you can also catch it on YouTube:
It’s a crashing opening. A London postman is collecting from a box in front of a bank when he is suddenly bowled over by a massive explosion from inside. Out runs a bank robber, loot in hand, and off down the street. A painter named Garvey (Gerald Hamer), working in an apartment nearby, is alerted by the explosion, and presently the robber, Henri Armides (Eduardo Ciannelli), climbs in through the window. The two are in cahoots.
Enter Drummond and bride-to-be Phyllis. They are making their way to their new apartment, which takes them right past the bank while police are throwing up a cordon around the neighborhood. The two cannot proceed further, and embrace amidst the hubbub.
It will turn out eventually, that the new Drummonds’ future apartment is exactly the one where Armides has taken refuge. He changes painter’s rags with his partner in crime and casts about for a place to stash the swag. He finds a place in what will later turn out to be Phyllis’ portable radio.
Then, when Drummond’s friend and cohort, Algy Longworth (Reginald Denny), drops by, Armides pretends to have gone bonkers from lead poisoning (paint), and smears himself, and also Algy. It’s his plan to escape the police cordon in disguise. The swag remains in the radio.
But the radio winds up in France. A telegram from Phyllis instructs Drummond to ship the radio forthwith by air.
Armides escapes from the mental hospital where he has been taken and reunites with Garvey. They search Drummond’s digs for the radio, seeing instead a telegram from Phyllis being slipped under the door. It advises Drummond that the radio has arrived safely in France. The crooks decide to waylay Drummond with that old fishing line-pistol trap, set to spring when Drummond opens the door.
Of course that doesn’t work. It never does. But Drummond gets wise. The crooks have taken the telegram, but they leave the envelope behind. Drummond contacts the telegraph office and gets a repeat of the message, concluding the crooks are on their way to France and sweet Phyllis. Drummond and Algy speed away by air to France to save Phyllis.
But Drummond’s affectionate prior supervisor, Col. J.A. Nielson (H.B. Warner), takes it upon himself to waylay Drummond and dissuade him from interfering with police matters. He fakes a message to French police, and Drummond is thrown into a French jail when he arrives. As luck would have it, Garvey is in the same cell, having been nabbed by the police in his attempt to hoax Phyllis out of the radio.
Dinner for Garvey arrives. It has been sent by persons unknown, but we soon figure out who sent the snack. The dinner includes a note instructing Garvey to break the wine bottle, which he does, after sharing the wine with Drummond. Garvey does not know Drummond and supposes him to be a master criminal, which he admires.
Inside the bottle is an explosive device that Garvey uses to blow a hole in the wall, enabling the pair to escape.
But Drummond’s friends have caught up with the situation, and Mayor Jean Philippe Napoleon Dupres (Louis Mercier) insists on performing the marriage ceremony right on the spot.
That doesn’t happen, because Drummond is hot on Armides’ trail, and there is a protracted fight on the rooftops. Drummond retrieves the radio and the money, but Armides escapes.
The wedding is concluded, and a bottle of wine is sent in. Drummond recognizes Armides’ work and tosses the bottle with the explosive into a well, where Armides has taken refuge. Poetic justice.
It’s a farce of crime and romance, where the audience laughs while multiple people die. Without the screen presence of Ms. Angel this might not be worth seeing. Too bad there are no nude scenes.
The description I have just laid on should explain why this comes in as the week’s bad movie. Contact me if you need more.